top of page

The_Icelandic_Architect



ree

BIG architects designed this beautiful museum in 2013 and it has been a lot on my mind lately. I am just so in love with the facade system and the design of the museum itself. What a great design.


ree

It is not for nothing BIG has become the most popular and sought after architect office in the world.


I was first exposed to the project and all its details in 2015... if i remember correctly and fell in love with it... that does not happen to me with just any nice looking building.


It was in 2013 that BIG was announced the winner of an international design competition for the new Cité du Corps Humain (Museum of the Human Body) in Montpellier. Rooted in the city’s long medical history and world renowned medical school, which dates back to the 10th century, the 7,800 sqm museum will “explore the human body from an artistic, scientific and societal approach through cultural activities, interactive exhibitions, performances and workshops.”


ree

It’s design, orchestrated by eight undulating forms which “weave together” to create an underlying continuous space. Stunning views, access to daylight and critical internal connections will all be revealed by the Museum’s shifting form.'


“Like the mixture of two incompatible substances – oil and vinegar – the urban pavement and the parks turf flow together in a mutual embrace forming terraced pockets overlooking the park and elevating islands of nature above the city. A series of seemingly singular pavilions that weave together to form a unified institution – like individual fingers united together in a mutual grip,” explains Bjarke Ingels. 


ree

The museum’s roof functions as an ergonomic garden – a dynamic landscape of vegetal and mineral surfaces that allow the park’s visitors to explore and express their bodies in various ways – from contemplation to the performance – from relaxing to exercising – from the soothing to the challenging.



ree

The façades of the Museum of the Human Body are transparent, they are as we call it designed with parametric design. That is, parameters such as the sun in this case and orientations are used to measure and design each louver precisely to provide the shades needed and to maximizing the visual and physical connection to the surroundings. On the sinuous façade that oscillates between facing North and South, East and West, the optimum louver orientation varies constantly, protecting sunlight, while also resembling the patterns of a human fingerprint – both unique and universal in nature.


One of my favourite projects by BIG architects, I hope it will one day see the light of day in more than beautiful visuals.

Here are more pictures:



A very important factor of the architect practice is that the building is there to stay... well in most cases...

So how will the material age in the environment you are building in? How will it be in 5 years, 10 years... 50 years?

Unfortunately this factor is often neglected... we spend all our time understanding how the building will be used and how it should look in terms of volume... that external factors like weather get forgotten.

But this is very important for the building to grow in beauty over time.

This is one of the factors that separates good architecture from great.


Here are 6 good picks... hope this helps in making a decision for your design or your future home.


Stone or Limestone / Steinn eða Kalksteinn

Img1: The Icelandic parliament build in 1880, The other img: The Glade house by DLM Architects


One of the most beautiful materials, used for ages, is stone. It tells a story of what was and what has been. Stone buildings have survived centuries and are ever so beautiful and they magnificently present themselves as dominant structures.

This versatile material can not only be used as a solid structure, masonry construction, but also as a thin stone facade systems that equally create a magnificent building front.

_________

Kalksteinn er ekki mikið notaður á íslandi margs konar steinn er og var mikið notað.



Teak / Teak viður (Icelandic)

The Salk Institute by Louis Kahn


Teak wood silvers with age and requires little to no maintenance (as does most timber high in tannic acid). This wood is beautiful with concrete in time it will become more alike in colour but with the soft texture of the wood combined with the rough texture of the untreated concrete.

Besides buildings, teak wood is mainly used for building boats and outdoor furnitures as it is highly resistant to rot and unlike other timber it has a very low shrinkage ratio.


Pine / Fura (in Icelandic)

The Pobble House by Guy Hollaway Architects / pictures by © Charles Hosea


Pine (Fura in Icelandic) is another wood that gains a gray-blueish shreen over time. The uncoated surface ages beautifully over time when exposed to the elements, but you can also affect the amount of silvering by applying pigmented coats of oils to make the timber more UV-resistant. This graceful wood is popular in rural projects and projects in touch with nature whereas it creates a visual connection to the surrounding natural landscape. This wood is very popular in Iceland.


Corten

CorTen Steel House By Faulkner Architects in California, United States. Photos: Joe Fletcher


Corten is one of my favorite... maybe not as a whole building but for sure as a part of a building that keeps changing with time...

While other metals used in construction are designed to resist corrosion, Corten invites rust to form on its surface. The rust itself forms a film which covers the surface and forms a protective layer. You don't need to treat it and you certainly don't paint it: it's all about making rusty steel look attractive.

When it's new construction, it looks just like you would expect a sheet of steel to look, all black and shiny. Most common progress is that first it turns yellowish, which tones down to orange and after some years it has all become gorgeous dark-brown purple colour but the final colour depends on weather can vary from orange, red, brown blue or black.


Corten can last for centuries but it does not like sea salt as it eats through the congealed rust layer... Good to keep in mind.


The building is beautifully, passively changing with time.


Zinc / Sink (Icelandic)



I love Zinc as well.... Zinc is ever so hype in popularity because of increasing demand for eco friendly products. Zinc is most commonly used for roofing as well as zinc panels.


Perhaps zinc's best known benefit is its ability to keep away from corrosion because of its thin coat of patina it develops covering the material and protecting it from the elements. Another thing this patina does is that it repairs it self. Zing is an organic product that is alive and can repair its scratches and other imperfections, but Zinc is not silk straight and smooth facade cladding like aluminum or other alternatives.

Zinc is great for eco-friendly construction because it requires less energy for production than other metals such as aluminum and copper, due to its lower melting point and also Zinc is recyclable, since it can be produced from recycled materials taken from demolished or re-roofed structures.


Copper and Bronze / Kopar og Brons (Icelandic)



Copper is the famous green metal that becomes more and more beautiful with time...

It can take everything from 5 years in an industrial are up to 30 years in a clean environment for the patina to develop. The light green weathering is caused by copper carbonate and copper sulphate forming in connection to oxygen in the air, creating a protective layer.

Bonze similarly oxides to form a protective green patina but with strong brown bronze colour undertones.



Important to keep in mind when choosing a material is to take into account the local weather and the local materials. Sustainable material is only so sustainable if it is not destroying rainforests or being shipped across the world.


Also these materials are not the cheapest once but when making a housing budget - renovation cost and durability has to be taken into account and in the long run these materials will always require less maintenance and get even more beautiful with time.




ree

Meðan allir voru heima á íslandi á fullu á hönnunarmars þá missti ég af herlegheitunum.


Hef búið erlendis í 10 ár núna og hef einungis einu sinni náð að vera á íslandi yfir þennan viðburð :/ en ég ég mun skipuleggja ferð heim á næsta ári.

Ég fylgist samt allfar stíft með og þá sérstaklega fylgist ég með Svönu vinkonu á Svart Á Hvítu þar sem hún er alltaf með puttan á púlsinum. En einnig var margt mjög spennandi arkitektúr tengt sem ég hefði svo viljað sjá.

Eitt af því var túr um Marshallhúsið á Grandagarði 20. Kíkti þarna inn síðast þegar ég var á landinu og skil vel að þair haf i hlotið Hönnunarverðlaun Íslands 2017 fyrir uppgerð hússins. Þetta er mjög heilstreypt og vel gert. Hrátt og elegant á sama tíma.

____________

While Design march was going on in Iceland last weekend I was here in Copenhagen... wishing to be there... I have been living abroad for 10 years now and only once have I planned a trip to be at this great event.

I will definitely be there next year!


I follow what is going on ... and my friend Svana covers much of it on her blog. But there were so many interesting architecture events this year I would have loved to see... including a tour in the Marshall house.

The Marshall house was the winner of The Icelandic Design Awards 2017 and is for sure worthy of it.

MARSHALLHÚSIÐ / The Marshall house

ree

Listamiðstöðin Marshallhúsið opnaði í mars 2017 og hýsir Nýlistasafnið og Kling & Bang en auk þess er þar vinnustofa og sýningarrými Ólafs Elíassonar og veitingastaðurinn Marshall Restaurant + Bar. Arkítektarnir Ásmundur Hrafn Sturluson og Steinþór Kári Kárason frá stofunni Kurt og pí, önnuðust hönnun breytinga á húsinu í samstarfi við ASK arkitekta.

_________

The art center opened in march 2017 and is hosting the Modern art gallery and Kling & Bang gallery, it is the home of the Icelandic/Danish artist Ólafur Elíassons office and showroom as well as housing the Mashall Restaurant + Bar.

The architects Ásmundur Hrafn Sturluson and Steinþór Kári Kárason from Kurt og Pí were in charge of the design of the new Marshall house in collaboration with ASK architects.


ree

Þetta fallega hús var byggt árið 1949, sem hluti af síldarbræðslu, og var starfsemi þar í rúma hálfa öld. Húsið stóð autt í nokkur ár eftir að fiskmjöls og -lýsisvinnsla var aflögð á vegum HB Granda í Reykjavík. Húsið er á fjórum hæðum, samtals 1.839 fermetrar að stærð.

_________

This beautiful house was built in 1949, as part of herring smelter, and was there for over half a century. The house remained empty for a few years after fishmeal and fish oil production was discontinued by HB Grandi in Reykjavík. The house is on four floors, total of 1,839 square meters.


ree

ree

Í rökstuðningi dómnefndar við Hönnunarverðlaun Íslands, segir að verkið kristalli vel heppnaða umbreytingu eldra iðnaðarhúsnæðis fyrir nýtt hlutverk í samtímanum. „Arkitektarnir hafa þróað verkefnið frá hugmyndavinnu til útfærslu og leitt saman breiðan hóp aðila til að skapa heilsteypt verk. Í verkinu er vel unnið með sögu byggingarinnar og samhengi staðar og til verður nýr áfangastaður fyrir samtímalist í Reykjavík á áhugaverðu þróunarsvæði í borginni. Marshall húsið er gott  dæmi um hvernig með aðferðum hönnunar verður til nýsköpun í borgarumhverfinu.“ Hönnunarverðlaun Íslands 2017.

__________


According to the jury's verdict at the Icelandic Design Prize; the work crystallizes the successful transformation of old industrial buildings for a new contemporary role. "The architects have developed the project from conceptualization to implementation and brought together a wide group of people to create a holistic piece. The work carefully respects the history of the building and context, and creates a new destination for contemporary art in Reykjavik in an interesting development area in the city. The Marshall House is a good example of how design methods will be innovative in the urban environment. "The Icelandic Design Prize 2017.


ree

ree

Þessar flísar eru bara beautiful... / gorgeous tiles...


Þangað til næst...




HJARK - Hulda Jóns Arkitektúr ehf - Urriðaholtsstræti 26, 210 Garðabær, Ísland                  hjark@hjark.is                 00354 8650649

@2018 All right reserved to Huldajons Architecture ehf, 

bottom of page